ART PRACTICE

Ground to Remember – Group Show

Ground to Remember – Group Show

In Search of the Birds of the Sea – Group Show

In Search of the Birds of the Sea – Group Show

Inherited – Solo show

Inherited – Solo show

Interlaced – Solo show

Interlaced – Solo show

Umaf’ evuka, nje ngenyanga / Dying and Rising as the Moon Does

Umaf’ evuka, nje ngenyanga / Dying and Rising as the Moon Does

EXCAVATION

EXCAVATION

Lattice

Lattice

Blueprint Mothers

Blueprint Mothers

1-54 Contemporary African Art Fair – group show

1-54 Contemporary African Art Fair – group show

Cuttings 1820 – 2020 – collaboration

Cuttings 1820 – 2020 – collaboration

in your place – group show

in your place – group show

The Rest is Memory – solo show

The Rest is Memory – solo show

PROJECTS

Umlibo

Umlibo

Unbreakable fragility

Unbreakable fragility

Daughters of Africa

Daughters of Africa

Cleaner Production

Cleaner Production

Africa! Ignite

Africa! Ignite

The Clothing Bank

The Clothing Bank

Behind the Faces

Behind the Faces

Burning Bright

Burning Bright

Keiskamma

Keiskamma

Young Change Drivers

Young Change Drivers

Green Scorpions

Green Scorpions

Living with Grief

Living with Grief

Mothers and Sons

Mothers and Sons

Into the great wide

Into the great wide

Kingdom of eSwatini

Kingdom of eSwatini

Lake of Stars

Lake of Stars

Salt

Salt

Saving Mussels

Saving Mussels

Room to Breathe

Room to Breathe

Sense of Calm

Sense of Calm

Where Rainbows Meet

Where Rainbows Meet

Home from home

Home from home

Bridging Waters

Bridging Waters

Street talking

Street talking

One child at a time

One child at a time

Water security

Water security

I love who I am

I love who I am

Tabula Rasa

Tabula Rasa

Life and times

Life and times

Trawling for a better future

Trawling for a better future

MEDIA

Art Africa - Bringing a postcolonial discourse to France: ‘Inheritance’ by Pippa Hetherington

artafricamagazine.org

The eye of photography - Galerie Bonne Espérance : Pippa Hetherington : Inheritance

loeildelaphotographie.com

Daily Maverick - Matters of Art: Eastern Cape's rich tapestry - Keiskamma embroiderers collaborate in new project on display at Spier.

dailymaverick.co.za

Fragments & Threads - A review by Clarke Patrick from Arthrob

artthrob.co.za

Photography Legacy Project - Largest Auction of African Photography on the Continent (pg 178/9)

https://issuu.com/aspireartauctions/docs/aaa_x_plp_21_catalogue

The Contemporary African Photography Prize shortlist 2021

https://www.capprize.com/landing/shortlist2021

London Art Fair – in conversation Mário Macilau and Pippa Hetherington

https://www.londonartfair.co.uk/the-photographic-collective-african-artist-pippa-hetherington-mario-macilau/

Art Africa – Ten artists to look out for at 1:54 Contemporary African Art Fair, Somerset House, London  - Suzette Bell-Roberts highlights ten artists to look out for at 1:54

https://artafricamagazine.org/154-art-fair-london-opens-to-the-public-on-friday-8th-october/

The Photographic Collective – in conversation Nii Obodai and Pippa Hetherington

https://www.thephotographiccollective.com/in-conversation/nii-obodai-pippa-hetherington

Lagosphoto Festival 2020, Nigeria: Rapid Response Restitution – Home Museum

https://homemuseum.net/grid/97d96f2a-4d40-4c92-9077-6305fc7c4650

Cuttings 1820 – 2020 virtual exhibition GFI Art Gallery – Aug 2020

http://gfiartgallery.com/project/cuttings-1820-2020/

ABOUT

Pippa Hetherington (1971, South Africa) is a South African visual artist who has worked in lens-based work and documentary over the last two decades. Her art practice addresses post-colonial identity, fragments of separated histories, trauma and memory. Working with photography, textiles and rock pigment, she explores stories around loss, grief and remembrance.

By excavating collective and personal memory and working with fragmented recollection Hetherington reflects on the pieces in history storytelling that are so often buried or erased purposefully, forcefully or conveniently. Amplifying tiny slivers of history she reveals what is deemed invisible, a metaphor of overlooked detail.

Hetherington graduated with a Masters of Fine Arts with distinction from ICP-Bard, New York in 2019 and was shortlisted for the Contemporary African Photography prize in 2021 and 2022. Her work is in the collections of the Spier Art Collection, M&C Saatchi Abel Contemporary Art Collection and the Moors Permanent Collection.

    PHONE

    +27 (0)83 709 4979 South African Mobile

    EMAIL

    pippa@pippahetherington.co.za

    PUBLISHED WORK